When using sound in film, one simple division that is made is between diegetic and non-diegetic sound. This means that either the sound is part of the fictional world of the narrative, or isn't, it isn't recognised by any of the character's hearing senses.
In Billy Elliot we have an interesting mix, where the diegetic sound becomes non-diegetic. For as the aforementioned in the title protagonist dances to a tune, h
BILLY ELLIOT Title Sequence (2000) from Elizabeth Violante on Vimeo.
A more upbeat track used for a later version, similar in tone to my chosen soundtrack, I Want Candy by Bow Wow Wow.
In Billy Elliot we have an interesting mix, where the diegetic sound becomes non-diegetic. For as the aforementioned in the title protagonist dances to a tune, h
BILLY ELLIOT Title Sequence (2000) from Elizabeth Violante on Vimeo.
A more upbeat track used for a later version, similar in tone to my chosen soundtrack, I Want Candy by Bow Wow Wow.
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